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International Institute of Modern Letters
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Browsing International Institute of Modern Letters by Title

Browsing International Institute of Modern Letters by Title

Now showing items 1-20 of 21

Boden Black (A Novel) and With Axe and Pen in the New Zealand Alps: Differences Between Overseas and New Zealand Written Accounts of Climbing Mount Cook 1882-1920 and the Emergence of a New Zealand Voice in Mountaineering Literature

Fearnley, Jura (Laurence) (Victoria University of Wellington, 2012)

This thesis has two components: creative and critical. The creative component is the novel Boden Black. It is a first person narrative, imagined as a memoir, and traces the life of its protagonist, Boden Black, from his ...
Chaos Theory Is For Lovers

Hansell, Jessica (Victoria University of Wellington, 2013)

This portfolio includes creative writing that was undertaken at the International Institute of Modern Letters in 2012. The project also features illustration, photography, cartoons and other graphic work alongside my ...
Development: Opening Space for New Zealand Women's Participation in Scriptwriting for Feature Films?

Evans, Marian (Victoria University of Wellington, 2010)

This thesis explores whether an analytical practice, combining creative writing with activism and based in academia, can help open space for more women scriptwriters within New Zealand feature filmmaking. It links ...
Everyday Life in the Ancient World: Four Re-Collections

Jenner, Lynn (Victoria University of Wellington, 2013)

The thesis is made up of four separate but related texts recording the author’s investigations of loss, searches and re-constructions. Questions of ownership are also examined, with particular reference to objects of ...
Feverish: Self-Induced Fever and the Creative Mind

Fenster, Giovanna (Victoria University of Wellington, 2016)

This thesis is a hybrid work that combines the critical and creative components of the Creative Writing PhD in a novel, Feverish. It includes notes, an afterword, and a full bibliography. Feverish is a novel narrated ...
Fracture: The reception of the 'other' author in Aotearoa

Arathimos, Michalia (Victoria University of Wellington, 2013)

The fracturing of cultural identity is a common trope in postcolonial literatures. Traditional binaries of 'self' and 'other' are now complicated by cultural hybridities that reflect the intersectionality of migrant ...
Grasp

Cann, Rosemary (Victoria University of Wellington, 2016)

A screenplay.
Grasshopper

Thompson, Jonathan (Victoria University of Wellington, 2013)

Screenplay
Home Detention (Draft Three)

Cowley, Judith Irene (Victoria University of Wellington, 2015)

Original screenplay.
I Love Ali: a Telefeature

Arapai, Arnette Makimou (Victoria University of Wellington, 2009)

One man's quest to meet his idol 'Muhammad Ali', the Greatest boxer of all time...
Mafutaga Samoa

Unasa, Leilani (Victoria University of Wellington, 2008)

Turquoise water laps the sandy white shore where coconut palms hang lazily over the sea. The sound of a church choir singing a Samoan hymn in the background. A loud phone ring. The entire landscape shakes like crazy. What ...
Memoirs of First World War Nurses: Making Meaning of Traumatic Experiences: Connections (Critical Component)

Alterio, Maxine G (Victoria University of Wellington, 2013)

Note: The original hardbound and the original electronic copy of this thesis comprises a creative component in the form of a novel Lives We Leave Behind (LWLB), which Penguin Books (NZ) published in 2012 and Editions ...
Mission

Jerram, Sophia (Sophie) Charlotte Rose (Victoria University of Wellington, 2016)

A screenplay.
Narrativity and segmentivity in contemporary Australian and New Zealand long poems and poem sequences

Beautrais, Airini Jane (Victoria University of Wellington, 2016)

The PhD in creative writing comprises a critical and a creative component. This thesis explores how poets utilise verse form in order to support and/or undermine narrativity in long poems or poem sequences, and asks the ...
Oioi

Partsch, Nicolette (Niki) (Victoria University of Wellington, 2016)

A screenplay.
Opportunity and Uncertainty: Supervisors, examiners and graduates describe the Critical/Creative Nexus in practice in the Creative Writing PhD at the International Institute of Modern Letters (University of Victoria, Wellington, New Zealand)

Jenner, Lynn (2017)

In December 2014 I held six exploratory interviews with participants in the PhD programme at the International Institute of Modern Letters (IIML), Victoria University of Wellington, New Zealand to explore the relationships ...
Pulling Teeth

Smith, Sam (Victoria University of Wellington, 2010)

Pulling Teeth is a 13x half hour comedy series in the vein of 30 Rock and Green Wing ... New graduate Rob Hutchinson hates the global view that all dentists are money hungry sadists who would kill a kitten just for kicks. ...
Same but Different: Chaos and TV Drama Narratives

McLachlan, Alison (Victoria University of Wellington, 2019)

Complexity is a term that is now commonly used when discussing TV serial dramas and the way that, in recent years, creators and producers of this narrative form have embraced innovative and challenging strategies to tell ...
Seeing Double: The Process of Script Adaptation between Theatre and Film

McGibbon, Gavin Rodney (Victoria University of Wellington, 2014)

This thesis examines the adaptation of stage plays to cinema, and of films to theatre. The creative component of the thesis consists of my full-length play script Hamlet Dies At The End, and the script of its feature film ...
Stories Are the Centre: The Place of Fiction in Contemporary Understandings and Expressions of Indigeneity. Part 1, Critical Component

Makereti, Tina (Victoria University of Wellington, 2013)

Fiction written by indigenous people is an important tool for the reclamation of histories and identities, and for the imagining of alternative possibilities. Baby No- Eyes by Patricia Grace and Benang by Kim Scott are ...