dc.contributor.advisor |
Downie, John |
|
dc.contributor.advisor |
Redmond, Sean |
|
dc.contributor.author |
Sarubin, Horst C |
|
dc.date.accessioned |
2012-08-28T22:21:04Z |
|
dc.date.available |
2012-08-28T22:21:04Z |
|
dc.date.copyright |
2012 |
|
dc.date.copyright |
2012 |
|
dc.date.issued |
2012 |
|
dc.identifier.uri |
http://researcharchive.vuw.ac.nz/handle/10063/2398 |
|
dc.description.abstract |
This thesis is submitted as one part of a three-part Masters program: it is accompanied by two creative praxis: a short film and video installation. The thesis itself mirrors the creative elements of the praxis and should be read in that light. It consists of writing and formatting style not usually found in academic writing. The font and formatting changes are designed to facilitate the reader’s experience and recognition of various points of view personified within. ... |
en_NZ |
dc.language.iso |
en_NZ |
|
dc.publisher |
Victoria University of Wellington |
en_NZ |
dc.subject |
Film |
en_NZ |
dc.subject |
Installation |
en_NZ |
dc.subject |
Liquidity |
en_NZ |
dc.title |
The Effects of Digital Technologies on Expanded
Cinema in the Age of Liquid Modernity:
Drowning and Surfacing in the Expanded Seas of the
Digital Cinema |
en_NZ |
dc.type |
Text |
en_NZ |
vuwschema.contributor.unit |
School of English, Film, Theatre and Media Studies |
en_NZ |
vuwschema.subject.marsden |
410301 Film and Video Studies |
en_NZ |
vuwschema.type.vuw |
Awarded Research Masters Thesis |
en_NZ |
thesis.degree.discipline |
Film |
en_NZ |
thesis.degree.grantor |
Victoria University of Wellington |
en_NZ |
thesis.degree.level |
Master's |
en_NZ |
thesis.degree.name |
Master of Arts |
en_NZ |
vuwschema.subject.anzsrcfor |
190204 Film and Television |
en_NZ |